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Born 1919, LondonThis man could paint. See his self-portraits: 1965, 1983, 1992. See his landscapes, 'The Cornfield' and his nudes. He also understood the value of abstract art in touching people's awareness and he conveyed ideas through images which provoked enlightenment, pleasure and emotion in the viewers. Hamersma’s artwork regularly focused on the simple things in life: a juicy red apple; a welcoming pot of tea; a freshly fried egg – the basics of which he was, along with many thousands of men, deprived for four years as a prisoner of war in Germany in World War II. Abstract explorations were similarly derivative. He was fascinated by ‘the line’ in art. Where does one object finish and another begin, when you look at them as a two dimensional image? And every object is made up of cells, minuscule cells invisible to the naked eye but Hamersma exploded ideas and looked further into them, painting and drawing ‘cells’; images made up of cells; ‘metaphysical cell structures’ which led him to invent the Squircle. It was his Squircle work that became the pinnacle. “The Squircle is Art, Science and Religion – together in one image,” he said in January 1994. “Light invites everyone to join the fight against the darkness. Our hearts and eyes are drawn together to eliminate and squeeze,” he wrote in March 1994
Painted from an early age
Served in Royal Army Medical
Corps 1939-45
Taught art to fellow prisoners in Stalag VIIIB
Caring jobs
throughout his life to make ends meet
Married and with four daughters
Died 1994, Essex
This is a brief description of the life and work of Cyril Hamersma, a prolific British artist who achieved a great deal during his life but never received the recognition he deserved. He inspired and intrigued people across the world - and indeed amused some too - and his enduring work 'the Squircle' in its many abstract forms remains a stark representation of his journey through life, the line and art.
From the reverse of the Hamersma biography:
“Hamersma’s legacy is not just this extraordinary, physical collection of work but the range of imaginative thought processes it contains. It synthesises the appearance of mundane artefacts, which surround our everyday lives, with a profound enquiry into the spiritual values of human existence within an increasingly secular and image-conscious society.” ~ Chloe Bennett, author of 'Suffolk Artists 1750- 1930'; and 'Colin Moss: Life Observed'.
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